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Category Archives: Performance
Walk the Walls, January 2010
MIDNIGHT Friday 22 January til NOON Saturday 23 January A special walk in support of The Pigs of Today are the Hams of Tomorrow curated by Marina Abramovic and organised by Plymouth Arts Centre. In 1988 Abramovic and Ulay walked … Continue reading
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Plymouth Soundings, Sunday 12 July 2009, 10:30am
With walking artist Simon Persighetti (Wrights & Sites) and sound artist Tony Whitehead explore the edges of Plymouth Sound following signals, echoes, calls and songs blowing in the wind. Help collect an archive of sounds to shape into a programme … Continue reading
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Notes on Animal Gaze
Simon Persighetti and myself shared our city/forest explorations with fourteen keen adventurers yesterday. Personal highlights of a really fun day include: fourteen people buying one eccles cake in the bus station cafe to feed a pigeon; fourteen people standing in … Continue reading
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Animal Gaze
On 31 January 2009 artist Simon Persighetti and myself will be leading a couple of walks that explore the themes of the Animal Gaze exhibition. This large show considers the often paradoxical relationship between animals and humans. Full details of … Continue reading
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Review of Kings Place Performance
Nice review of our Kings Place performance here ” ‘Sound Walk’ was a collaboration between sound artists Tony Whitehead and Matthew Sansom, presented by the Society for the Promotion of New Music. Tony Whitehead had spent a day in and … Continue reading
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Score 6 response now online
Its online at Bill Drummond’s The 17 website here
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Kings Place Text
This text accompanied Mathew Sansom’s field recording based composition performed at King’s Place yesterday as part of a series of SPNM performances. One audience member described it as the “writing of a rural poet with culture shock”!
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Programme note for Kings Place performance on 5 October
In a series of short simple texts accompanying a new work by composer Matthew Sansom, Tony will describe his personal impressions of the sounds of Kings Cross. These are based on a close listening to the area in a number … Continue reading
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